9.Juvenile - Drop That Azz. There’s a title card, but within seconds, the setting is unmistakable: Magnolia Housing Projects7.Juvenile Feat Mannie Fresh - Sweet Love. Hustle nationwide, churning out a string of hits led by Juvenile's 'Ha' and its trans-regional Jay-Z remix from the classic 400 Degreez (Cash Money/. 400 Degreez: Hail Mary: Trey Songz featuring Lil Wayne and Young Jeezy: Chapter V: Hail Mary (Cover) Live Lil Wayne featuring Shanell Halfway (Remix) S-8ighty featuring Lil Wayne Hands Up: Lil Wayne: Sorry 4 The Wait: Hands Up: Swizz Beatz featuring Lil Wayne, Nicki Minaj, Rick Ross, and 2. Juvenile featuring Lil Wayne, Turk, and B.G.A hard cut and suddenly, the frame fills with action: Juvenile in the foreground, perched over a puddle, a sea of Magnolia residents waving their arms behind him, hanging from balconies, poking curious heads out of windows. There appears to be a positive correlation between the two variables.You see the rows of buildings stretching out toward the horizon, seemingly vacant and endless. 15.Juvenile - 400 Degreez.13.1 0.400 16.1 0.445 16.4 0.470 13.4 0.390 13.2 0.400 14.3 0.420 16.1 0.450 The scatterplot suggests a definite relationship between PVC and Hb, with larger values of Hb tending to be associated with larger values of PCV. 14.Juvenile Feat Lil Wayne, Turk - Rich Niggaz. 12.Juvenile - Gotta Get It. 11.Juvenile Feat Shawty Lo, Dorrough, Kango Slim - We Be Getting Money.
There are roller skaters and pickup basketball games. Magnolians get chased and cuffed and clutched by their fathers. Women in church clothes pose soberly—so do EMTs, with arms crossed in front of their ambulance. Kids jump on cast-off mattresses. Peete he’s dancing around a porch while the family that lives there sits motionless he’s mugging in a hallway next to Baby and Mannie Fresh he’s shadowboxing.The rest of Magnolia pops to life, either in eerily real tracking shots or in static frames that might as well be portraits. Juvenile 400 Degrees How To Use YourJuve laughs and sneers and, occasionally, commiserates. Juve is sly and sarcastic, writing in the second person, ribbing you about child-support payments and switching to Reeboks and finally figuring out how to use your triple-beam. Juve claimed that “all the drug dealers shut down” to accommodate production.Even today, “Ha” sounds like it’s from the future, except when it sounds like it’s from the lobby of your building. The whole thing takes place in and around Magnolia, where Klasfeld and his team set up camp for three days. Its video, directed by Marc Klasfeld, is genuinely stunning—spare but stylized, high art from self-consciously low production budgets, a four-minute blueprint for the rap videos that would come after the massive budgets from the Hype Williams era evaporated. It’s been interpolated by people who win Pulitzers and bitten by countless young rappers, either in their formative periods or when they fly a little too close to the sun. ![]() Musically, he was Cash Money. He was able to flit between bounce and rap (and marry the two), but as Cash Money moved fully into hip-hop, he became the chief architect of its sound. He adopted the name Mannie Fresh and embarked on a career DJing and producing that would make him one of the most acutely influential producers in the history of Southern music.From his earliest drafts, Mannie’s beats were deliriously danceable soon, they were also punishing. Byron Thomas was the son of a DJ who gave his son instruments and hardware before he knew what to do with them when Byron heard Afrika Bambaataa’s electro-futurist “ Planet Rock,” the gear started to make sense. The pair had been orbiting one another for a while, but operating in slightly different circles. But when he linked with Mannie, the evolution came rapidly. According to Mannie, people in the city would know the lyrics to Juve’s songs before they were ever released, simply from seeing him tear down tiny venues over and over again his debut single, a collaboration with DJ Jimi called “ Bounce for the Juvenile,” was exhibit A.Before Cash Money, Juve—on wax, at least—wasn’t the unmistakable presence he would become. With basically no recorded music, he was playing a near-endless string of raucous live shows, marching from spot to spot, hole-in-the-wall bar to high school parking lot, rapping for anyone who would listen. While he was still in his teens, Juve had a foot in the city’s rap and bounce music scenes. Song called “ Drag ’Em in the River,” that first attracted the attention of a young rapper who had been going by the name Juvenile.Juve was born Terius Grey in March of 1975 and spent much of his formative years in those Magnolia Projects in Uptown New Orleans. When he was cursing Bill Clinton and Bob Dole, he sounded as if he could be 18 or 58, smirking on a porch somewhere.By the beginning of ’98, Cash Money and its artists were accruing power throughout Louisiana and the rest of the South. Starting on Solja Rags, Juve became one of the most distinctive rappers imaginable, his delivery evoking the blues but nimble enough to navigate whatever stuttering, gridless drums Mannie used to challenge him. Juve had just turned 22 when that first Hot Boys album dropped, but he was the oldest member of the group—barely out of his adolescence but forced into a grizzled, world-weary role.You could hear it in his voice. By the end of 1997, Mannie had produced (and Cash Money had issued) two albums with Juvenile in a starring role, a solo record called Solja Rags and Get It How U Live!!, an album by the Hot Boys, Cash Money’s supergroup that paired Juve with B.G., Turk, and a young rapper named Lil Wayne. The contract came through almost immediately. He did: song after song after song. Microsoft for apple mac freeThere are moments on 400 Degreez when Juve stops a verse at 14 bars or runs past the usual 16. For one, the raps often came before the music. But as Juvenile became the label’s flagship artist, and as everyone’s focus turned to forging his new album, the process changed in two key ways. The deal had largely been centered on the Big Tymers—Mannie’s collaboration with Baby—but as soon as the ink was dry, Mannie insisted that Universal push Juvenile to the foreground.Cash Money was then operating like a factory: Mannie would cook up beat after beat and hook after hook, and artists would be in various studio rooms writing, trying out ideas, with all efforts dedicated to whoever’s album was next on the docket. In March, Baby and Slim signed that infamous distribution deal with Universal, the terms of which quickly took on the qualities of myth: a three-year contract with a $2 million advance annually, a $1.5 million credit on each of up to six albums each year, and an 80/20 profit split in favor of Cash Money. B.G.’s album sold 25,000 copies the Hot Boys tripled that. ![]()
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